tom quinn neon twitter


I didn't really feel the need to launch a company.

Their first aim was the Golden Globe awards, where he believed that Robbie was a strong contender for the Best Actress in a Comedy category, which would springboard them into the Academy race, as well help the film's expansion, in general. I wanna read more about her life now.

Quinn said, "does that incredible thing, where the moment you laugh, you feel guilty about it," and he was knocked out at the screening, especially by Margot Robbie's portrayal of Tonya Harding. Get your FREE copy of the eBook called "astonishingly detailed and useful" by Filmmaker Magazine! Enter the Future Filmmakers Challenge, A Massive List of Fall 2020 Grants All Filmmakers Should Know About, A Release of 'Hocus Pocus' Has Almost Out-Earned 'Tenet' This Weekend, The Best Filmmaking Deals of the Week (10.02.20), Janney won awards for Best Supporting Actress.
"We were a very small release," admitted Quinn, "but I was buying time on TV in L.A., as if we were a big release.

"I've been doing this for twenty years, and this is the highest grossing movie I've worked on, 100%.

Focus on the '4 L's of No-Budget Filmmaking', How Was the Copa Long Take in 'Goodfellas' Shot? The world does not need another film distributor.". Ultimately for me, consumer-facing is more impactful to Academy voters than navel-gazing trade advertising." In the end, I, Tonya got nominations for Allison Janney and Margot Robbie at the Golden Globes and Oscars, and Janney won awards for Best Supporting Actress at the Globes and the Academy Awards. Theaters, a communal setting — that’s where we want voters to see this movie,” said Tom Quinn, Neon’s co-founder.

And it's very hard to determine where that even starts, within the world of Netflix.". ", TIFF and the acquisition happened in September, which left Neon little time to get ready for a December release in New York and L.A., where most Academy voters are located.

It was still very much treated as a very big hit that didn't cross over into the middle of the country," as opposed to Darkest Hour, which did."

"I don't believe that movie would have become what it ultimately became....How long would a majority of people who saw that film give it...as opposed to getting up and going to your local theater and committing yourself? So, if you're an Academy voter in L.A., and you didn't look at the box office, the film looks like a big hit.".

", In the case of Okja, the Bong Jon-Hoo movie which was a Netflix release, Quinn noted that he had watched it with his daughter on an iPad, "but I don't think that's how that movie was meant to be seen....I think if that movie launched as a cross-over wide release, it would have built momentum, it would have been part of the cultural fabric.

With the company's acquisition of I, Tonya at last year's TIFF, Quinn felt that they had an awards contender, but first, they had to acquire the movie. Quinn feels that part of the reason Neon won out is that the company understood the film: "We came into the movie with our own point-of-view," and "really believed the film was an awards movie." Enter Tom Quinn, the head of Neon, a rising independent film distributor and production company. Margot Robbie in Craig Gillespie's 'I, Tonya,' courtesy of Neon.

", "The minimum spent was two million dollars for a lead actor campaign. Everything we did outside of trade advertising, though, was consumer-facing. Subscribe to receive the free PDF!

The world does not need another film distributor.". Tom Quinn NEON is in the early stages of putting together a programme to support what co-founder Tom Quinn referred to as the “sustainable theatrical release” of documentaries.

", Even though the film tackles timely issues, including domestic abuse, "bullying, trolling, and the disparate sects in our country," Quinn was adamant that "if we sold ourselves as being 'the most important movie of the year' I don't think we would have had a real dialogue about how amazingly effective the movie is.".
Still, though, the film grossed over 30 million dollars. Let the Steadicam Op Explain, 3 Epic B-Roll Transitions You Need to Know About, Want to Hang Out with M. Night Shyamalan? Our core audience was 25-32 year-old women, and our social media footprint was larger than any other movie in the Oscar race.". Twitter; Show more sharing options ... Run by specialty film veteran Tom Quinn, Neon was a David among Goliaths in the best picture race. "We were clearly operating within the mainstream," but the theaters where the film did well were very much crossover commercial art houses, which was something Quinn hadn't been anticipating, given that he felt that Harding herself "represents those individuals who've been overlooked, whether they're conservative voters  or the disenfranchised. Mr. Quinn, who had worked with Mr. Bong on four of … As it turns out, though, their social media campaign didn't have to rely on people's familiarity with the story.

Another reason was that he thought Robbie "felt that the company was sensitive to issues in the film, but we also have the confidence and ability to have fun with it.". The film has continued to do well on iTunes, and the gross is over 50 million dollars worldwide.

Coming into the festival, I, Tonya was the hottest property around, and there was already an offer on the table from CBS. Run by specialty film veteran Tom Quinn, Neon was a David among Goliaths in the best picture race. ", "The minimum spent was two million dollars for a lead actor campaign. ", According to Quinn, "Anyone under 32 [was] going to be a really tough slog."

The world does not need another film distributor.".

Tom Quinn didn't quite know what to think.

According to Quinn, the film industry is "so competitive [and] expensive, unless you're going to build something that has a point of view and that stands for something. Participating In a Case Study at the Australian Screen Forum in New York City last week, Neon CEO Tom Quinn discussed how his company brought I, Tonya to the big screen. Neon elected to "lean into some of the salacious aspects of the film...the guilty pleasure aspects," launching with a redband trailer in November of last year. The company is best known for releasing films, such as Ingrid Goes West, I, Tonya, Three Identical Strangers, and Parasite.

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