brooklyn fox theater


- Significance: The Fox Theatre in Brooklyn represented the moving picture theatre in its prodigious phase. The Library of Congress does not own rights to material in its collections.

The ends of the parapets toward the stair landing were in the form of inverted scrolled consoles that were anthemion-carved on both faces. DECORATIVE BAS-RELIEF PANEL IN GRAND LOBBY - Fox Theatre, 20 Flatbush Avenue & 1 Nevins Street, Brooklyn, Kings County, NY Bookmark /ny0255.photos.116958p/ Bookmark:ny0255.photos.116958p Bookmark:ny0255.photos.116958p. Those stairs also ascended to the level of the upper balcony vomitoria. Stylistically, it exemplified creative eclecticism, combining East, Indian, Baroque, and Art Deco elements into an imaginative and novel blend. Building Description Fox Theatre, Brooklyn New York.

The Flatbush Avenue elevation of the theatre was the equivalent of eight to nine stories high and was set back about 22 feet from the front plane. The large central shaft had a pierced collar and faceted frosted glass top. Four or five sets of adjacent paired doors led southwest from this vestibule to an inner vestibule that had a short lateral passage leading to the most eastern aisle entrance to the auditorium. Bound. The lot, containing some 29,000 square feet, extended 211'7" along Nevins Street, 262'10" along Flatbush Avenue, and 181'0" along Livingston Street. The

Two cross aisles divided the balcony into three levels, the

In some cases, a surrogate (substitute image) is Historic American Buildings Survey, Creator, William Fox, Charles Howard Crane, Kenneth Franzheim, Ben A Dore, Incorporated Aronberg-Fired Company, Lucy Pope Wheeler, Denys Peter Myers, and A. Craig Morrison, Boucher, Jack E, photographer. Brooklyn Kings County New York, 1933. (Paterson) The only two connections between the office block and the theatre were through a "secret door," apparently between the elevator lobby of the office building and the grand lobby "near the fish-tank," (Paterson) and through a passage connecting the Fox apartment and the stage service building. There were exits at both the front and rear of the side aisles.

Long before she was Carole King, chart-topping music legend, she was Carol Klein, Brooklyn girl with passion and chutzpah.

The heavy square marble newel block at the foot of each flight had a rebated outer corner and supported a tall torchere composed of a cluster of gold-colored metal tubes indirectly lit from the lotiform bowls out of which they rose.

color or tint (assuming the original has any), you can generally purchase a quality copy of The office block was twelve stories high and stood at the junction of Flatbush Avenue and Nevins Street, running along the former for about 110 feet and along the latter for about 115 feet from the chamfered corner. The basement is reported
She fought her way into the record business as a teenager and, by the time she reached her twenties, had the husband of her dre The bridge parapets were "supported" by gilded elongated flattened compound egg-and-dart and acanthus-edged consoles above squat and heavy verde antique piers with gilded capitals making up over a third of their height. The inner faces of the ramping parapets were furnished with brass handrails.

The costume shop occupied an unfenestrated Brooklyn Kings County New York, 1933.

Vol. The southeast Their omission was If only black-and-white ("b&w") sources are listed and you desire a copy showing

Photograph.

The sides of the mezzanine swung forward in a set of convex and concave curves, but the long slightly concave central section of the mezzanine parapet was overhung by a trifle more than 37 feet.

4, 1916; Republished 1942. The distance from the pit rail to the rear of the orchestra was 104 feet.

The loge seats and 13-row middle level were divided into five sections by stepped aisles. There was no room for mezzanine or balcony lobbies, or foyers. [Photograph] Retrieved from the Library of Congress, https://www.loc.gov/item/ny0255/. available, often in the form of a digital image, a copy print, or microfilm.

(The easternmost Do the Access Advisory or Call Number fields above indicate that a non-digital surrogate exists,

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127.

The row was surmounted by a screen wall, was about 21 feet deep, and extended for about 70 feet between the theatre entrance and the auditorium exits onto Flatbush Avenue. (A thumbnail (small) image will be visible on the left.).

Join us for an extraordinary season with the 2020-2021 There were smaller flat marquees, apparently suspended, over the office building entrance and the grand lobby exit near the Livingston Street corner on Nevins Street.

The rear wall of the steeply rising balcony was about 146 feet from the curtain line, making the depth of the balcony around 86 feet. All of the mezzanine was under the balcony soffit, most of it placed far back.

Clear glass panels looked into the auditorium at the orchestra level and from the mezzanine passage. https://www.loc.gov/item/ny0255/. Alternatively, you can purchase copies of various types through Curiously, there were no elevators for theatre patrons.

As the architect's figure was preliminary, and as Paterson had the "original American Seating Company blueprints," the latter figure would seem to be the correct one.

Documentation Compiled After. Photograph. from the curtain line to the middle of that parapet was 97 feet and three inches, whereas the center of the slightly concave balcony parapet was only 60 feet and six inches from the curtain line.

A., Aronberg-Fired Company, I. There were men's and women's retiring suites below the grand lobby, or foyer. The building complex occupied most of a triangular site bounded by Nevins and Livingston Streets, whose junction forms a right angle, and by Flatbush Avenue, which forms the hypotenuse of the Triangle. The eighth floor contained the rehearsal hall and the music library.

Delicate underpinnings, intricate details, complex constructions— adorn, support, and flaunt.

Short flights of steps led from the side aisles to the stage. Along with the larger wall openings, they helped to mitigate the somewhat claustrophotiic effect of the unusually narrow and very tall grand lobby. (1933) Fox Theatre, 20 Flatbush Avenue & 1 Nevins Street, Brooklyn, Kings County, NY. Schley, Cyril E - Crane, Howard C - Myers, Denys Peter - Boucher, Jack E. - Wheeler, Lucy Pope - Stross, Allen - Historic American Buildings Survey - Kiehler, Elmer George, Photo(s): 39 | Color Transparencies: 2 | Data Page(s): 54 | Photo Caption Page(s): 5, Miller, J R - Fitzgerald, Gerald - Duncan, Charles Stafford - Pflueger, T L - Bernardi, Theodore - Morrison, A. Craig - Myers, Denys Peter - Boucher, Jack E. - Jandoli, Liz - Goodman, Michael a - Wheeler, Lucy Pope - Bernhardi, Robert C. - Historic American Buildings Survey, Photo(s): 40 | Data Page(s): 63 | Photo Caption Page(s): 3, Wheeler, Lucy Pope - Morrison, a Craig - Myers, Denys Peter - Lamb, Thomas White - Keith, Benjamin Franklin - Historic American Buildings Survey - Macfarlane, C John, Wheeler, Lucy Pope - Winkle, Lyle E - Voisin, Adrien - Myers, Denys Peter - Potter, Elisabeth Walton - Dunlop, James R - Thomas & Mercier - Historic American Buildings Survey, Photo(s): 36 | Data Page(s): 48 | Photo Caption Page(s): 2.
The extreme width was approximately 131 feet, with the walls converging to a width of not much more than 50 feet at the proscenium.

The sub-basement contained very large furnace and machinery rooms. Vol.

Price lists, contact information, and order forms are available on the That placement probably accounted for the poor acoustics of the mezzanine, which evidently contained 345 seats (Paterson). Three large openings in the narrow northeast wall revealed the stairs and passages above the vestibules. Size Approximately 8x12 inches.

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The grand stairway and its bridge, as well as the stairways at either end of the grand lobby, led to that mezzanine passage. a convenience, and may not be complete or accurate. The flat front fascia had a seven-rank back-lit attraction board edged at top and bottom and in its soffit by two rows of incandescent bulbs.

Paired doors opened from the southeast wall into four of the five auditorium aisles. Vol. wall had large openings at the mezzanine and lower balcony levels, revealing narrow curving passages giving access to the rear of the mezzanine and to vomitoria leading to the lower cross aisle of the balcony.

Retrieved from the Library of Congress, . Above each of the two southeast wall tiers of large openings, there was a smaller opening at the fourth-story level.

They were surmounted by large hollow block letters containing red neon tubing and spelling FOX. Above first-floor shops, the rectangular stage service building contained single dressing rooms for stars, larger dressing rooms for duos and teams, and very large chorus dressing rooms.

The seating was divided into four rising sections by a central aisle and two intermediate aisles between it and the side aisles. The Fabulous Fox is pleased to offer special discounts for our patrons. It was moderately curved in plan, following the contour of the rear of the auditorium orchestra level. 135. Historic American Buildings Survey, C., Fox, W., Crane, C. H., Franzheim, K., Dore, B. The Fox Theatre is a historic cinema in the Beaches neighbourhood.

Probably moveable ramps were used to shift scenery in and out of the building.

The distance "If one continued down the hall past the smaller shops, one eventually wound up just a doorway away from the ladies' lounge , .

The theatre block was the equivalent of ten stories high on Nevins Street and ran along that street for about 95 feet from the Livingston Street corner to join the office block. Photocopy of photograph (original print in Brooklyn collection, Brooklyn Public Library, Brooklyn, New York -- published in Brooklyn Eagle, September 19, 1926) 1926, Photographer unknown ARCHITECT'S PERSPECTIVE RENDERING OF PROPOSED FOX THEATRE COMPLEX - Fox Theatre, 20 Flatbush Avenue & 1 Nevins Street, Brooklyn, Kings County, NY Bookmark /ny0255.photos.116970p/ …

Experience history with a Fabulous 90 minute walking tour of the theatre. staircase and under stairs at the southwest end of the grand lobby. The manager's office was on the fifth floor. The stage had a width of about 90 feet at its widest point, giving 20-foot wings at each side of the 50-foot-wide proscenium. The passage, lighted by three windows facing Flatbush Avenue, ran above the auditorium ceiling and connected Fox's suite with the eighth-floor rehearsal hall.

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Between the stage service building and the office building, there was a row of one-story shops flanking the auditorium. ." the Prints and Photographs Reading Room. https://www.loc.gov/rr/print/res/114_habs.html, Historic American Buildings Survey/Historic American Engineering Record/Historic American Landscapes Survey, Historic American Buildings Survey/Historic American Engineering Record/Historic American Landscape Survey (HABS/HAER/HALS) Collection - Rights and Restrictions Information, Orchestra Hall, 3711 Woodward Avenue, Detroit, MI, Paramount Theatre, 2025 Broadway, Oakland, Alameda County, CA, B. F. Keith Memorial Theatre, 539 Washington Street, Boston, Suffolk County, MA, Oriental Theatre, 828 Southeast Grand Avenue, Portland, Multnomah County, OR, Morosco Theater, 217-225 West Forty-fifth Street, New York County, NY. The narrowness of this lofty space was dictated by the cramped building site. 122.

The women's suite consists of a large lounge, Louix XV in period; a smoking room finished in pale peach stucco; an elliptical cosmetic room with silk covered walls, and the wash room.

Library of Congress Duplication Services. 64 skeleton maps. Is the item digitized? The attraction boards at each end were similarly edged and were two ranks higher than the front board. Plan of Dry Goods District. All Rights Reserved

The front wall of the projection room stood slightly forward of the rear, reducing the central section by one row.

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