Bordwell et al. As revealed on the 2009 Blu-ray release, the film originally had the "A Walt Disney Feature Production" credit mentioned twice in the film's original 1937 release, in both the opening credits and in the ending titles, the latter appearing over the RKO logo in the background. Wald and Krasna escaped their contracts and the studio as well. After a bid by RKO Pictures' own management team failed, the managers made a deal with Wesray Capital Corporation—under the control of former U.S. Secretary of the Treasury William E. Simon and Ray Chambers—to buy RKO through Entertainment Acquisition Co., a newly created purchasing entity. [12][c] A few nonsinging pictures followed, but the studio's first major hit was again a musical. [197][203], Beginning with 1981's Carbon Copy, RKO General became involved in the coproduction of a number of feature films and TV projects through a subsidiary created three years earlier, RKO Pictures Inc.[204] In collaboration with Universal Studios, RKO put out five films over the next three years. Jewell (1982), p. 243; Lasky (1989), pp. Kennedy, who withdrew from his executive positions in the merged companies, kept Pathé separate from RKO and under his personal control. Until 2009, post-RKO reissue prints used the usual "The End, A Walt Disney Production" notice. The studio owner subsequently ordered 100 RKO employees on "leave of absence" while he established a "security office" to oversee an ideological vetting system. [40], Cooper took over as production head after Selznick's departure and oversaw two hits starring Hepburn: Morning Glory (1933), for which she won her first Oscar, and Little Women (1933), director Cukor's second collaboration with the actress.
[188] After a year and a half without a notable success, General Tire shut down production at RKO for good at the end of January 1957. For Walker's earlier work on. Fandom may earn an affiliate commission on sales made from links on this page.
Instead, the prince buys the coffin from the dwarfs, and they help him carry it back to his castle (in some versions, the prince's servants assist in doing so). [19] The project was abandoned, however, as the public's taste for musicals temporarily subsided. The dwarfs have only four fingers; a thumb, and three other digits. Most of the films released by RKO Pictures between 1929 and 1957 have an opening ident displaying the studio's famous trademark, the spinning globe and radio tower, nicknamed the "Transmitter."
[241] Orson Welles referred to the design as his "favorite among the old idents, not just because it was so often a reliable portent. In 1932, under Selznick, forty-one features were made for $10.2 million, with clear improvement in quality and popularity. [23][d] The most popular RKO star of this pre-Code era was Irene Dunne, who made her debut as the lead in the 1930 musical Leathernecking and was a headliner at the studio for the entire decade. Snow White's birth parents appear at the beginning of the story. [222] The new owners of RKO also allowed Turner to move forward with colorization of the library. Barrier (2003), p. 170; Lasky (1989), p. 137; Jewell (1982), p. 92. This article or section does not include the current logo at the moment. ; Deal Covers Macy's Transfer of WOR Interests to General Tire's Don Lee System,", "General Tire Gets Control of M. B. S.; Shareholders at Meeting Vote 2-for-1 Stock Split—Company Buys More TV Stations,", Howard (1979), pp. "The Paramount Decrees Reconsidered", in, Fein, Seth (2000). Schatz (1999), p. 232; Ballinger and Graydon (2007), p. 23.
[97], With RKO on increasingly secure ground, Koerner sought to increase its output of handsomely budgeted, star-driven features. Welles would subsequently call it his worst film, but it was the only one he ever made that turned a profit in its first run.
100–2, 152, 189–90, 210; Lasky (1989), p. 198; Schwartz (2005), p. 60. Jewell (1982), pp.
[64] While RKO kept missing the mark in building Hepburn's career, major stars Cary Grant and Barbara Stanwyck joined the studio's roster—though Stanwyck would have little success during her few years there. Maverick industrialist Howard Hughes took over RKO in 1948. [122] Its cinematographer, Nicholas Musuraca, who began at FBO in the 1920s and stayed with RKO through 1954, is a central figure in creating the look of classic noir.
On October 23, 1928, RCA announced the creation of the Radio-Keith-Orpheum Corp. holding company, with Sarnoff as chairman of the board. The film's title uses the word "dwarfs" which was the traditional plural of "dwarf". In the film, she does so for about one year. 225–29. "RKO" redirects here. 160–61; Boddy (1990), p. 138. [73] Charles Laughton, who gave a now fabled performance as Quasimodo in the latter, returned periodically to the studio, headlining six more RKO features. RKO-Ryman Ventures Nashville (50%) | RKO Alternative Entertainment | RKO Pictures (Others) | RKO-Pathé Films | Embassy Pictures (Others | Embassy Interactive | Embassy Television), RKO Network (HD | 3D | +1): After Glen Alden's 1967 acquisition of the Stanley Warner theater group, the two chains were merged into RKO–Stanley Warner Theatres. 136–39, 193–94. Fein (2000), passim; Lasky (1989), p. 228. [191] List Industries, the former RKO Theatres Corp., was acquired by Glen Alden Corp. in 1959. Muller (1998), pp. The end title has the RKO Radio Pictures logo in the background with the words "A WALT DISNEY FEATURE Production IN TECHNICOLOR". [133] With profits at a high point, Floyd Odlum cashed in by selling off about 40 percent of his shares in the company to a group of investment firms. Promoted as the studio's most extravagant production to date, it was to be photographed entirely in Technicolor. 209, 211, 241, 248, 283. Jeff, Leonard J., and Jerold L. Simmons (2001). Announcing a new corporate motto, "Showmanship in Place of Genius: A New Deal at RKO", a snipe at Schaefer's artistic ambitions in general and his sponsorship of Welles in particular,[93] Koerner brought the studio much-needed stability until his death in February 1946. [95] The Rockefellers sold off their stock and, early in 1943, RCA dispensed with the last of its holdings in the company as well, cutting David Sarnoff's ties to the studio that was largely his conception. In October 1930, the company purchased a 50 percent stake in the New York Van Beuren studio, which specialized in cartoons and live shorts. 193, 195, 201, 206, 215, 219, 231, 236. Jewell (1982), pp. Complicating matters, audiences had come to associate color with the momentarily out-of-favor musical genre due to a glut of such productions from the major Hollywood studios. [101] John Wayne appeared in 1943's A Lady Takes a Chance while on loan from Republic Pictures; he was soon working regularly with RKO, making nine more movies for the studio. [38] He backed several major successes, including A Bill of Divorcement (1932), with Cukor directing Hepburn's debut, and the monumental King Kong (1933)—largely Merian Cooper's brainchild, brought to life by the astonishing special effects work of Willis O'Brien. On the first day of 1947, producer and Oscar-winning screenwriter Dore Schary, who had been working at the studio on loan from Selznick, took over the role. Ballinger, Alexander, and Danny Graydon (2007). Two of RKO's top talents, Dmytryk and producer Adrian Scott, refused to cooperate. 35–36; Schatz (1999), pp. Jewell (1982), pp. In 1952, the company united its newly expanded broadcasting interests into a division dubbed General Teleradio. [e] That year, the New York City–based corporate headquarters moved into the new RKO Building, an Art Deco skyscraper that was one of the first Rockefeller Center structures to open. [198] RKO's FM station in New York pioneered numerous formats under a variety of call letters, including WOR and WXLO ("99X"); in 1983, as WRKS ("98.7 Kiss FM"), it became one of the first major stations to regularly program rap music. [82] With Berman gone, Schaefer became in effect production chief, though other men—including the former head of the industry censorship board, Joseph I. Breen—nominally filled the role. [11] The comedic Street Girl debuted July 30.
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