Ari is an evergreen source of exposition, explaining anything Hagen or the audience needs to know, and what few jokes there are in Crusade usually come from him. The third act is all plot lines and characters converging on the siege of Jerusalem, and while the preceding 100 pages have been bloody and gruesome to the extreme, it all ticks up a bit here.
booms Schwarzenegger, imitating the Dutch firebrand auteur. Do you think that’s a politically interesting situation? The director and star discussed a screenplay about the Crusades that Schwarzenegger had read. No doubt it would piss off every known special interest group on the planet, but film, the art form of this century, can do that.
The plug was pulled due to the projected $100 million budget, and eventually Carolco (the production company) went bankrupt following the release of Cutthroat Island. All rights reserved.
They said, 'So the budget is $100 million. It is a prestige item.
As a script, I would say Crusade does not fully engage with these topics - we’re making an Arnold film here, after all - but my expectation is this would be Verhoeven’s chief interest, and even an unchanged script would offer Verhoeven some opportunity to create indelible religious contradictions in the images. An AICN script review proclaimed it “the greatest unproduced script of the decade [90s]” and “Verhoeven’s answer to Alexander Nevsky [and] Lawrence of Arabia.”, Crusade takes a critical view of the period, particularly of Christian opportunists and Pope Urban II.
It’s a role beneath Duvall, for sure. Djarvat steal Laila, Hagen is sewn into the carcass of a donkey and left to be devoured by hyenas. Tonally, however, Crusade is closer to the more brutal studio epics, your Bravehearts and Gladiators. Arnold SchwarzeneggerBest FIlms Never MadeCharlton HestonCrusadeCutthroat IslandGary Sinisejennifer connellyPaul VerhoevenTotal Recall. You hear that, Hollywood? With tales of large sums of production money being spent on specially shipping crates of V8 juice to the shoot on Malta for the consumption of Harlin and his wife Geena Davis, it appears that Verhoeven would have been a much safer bet for the uncertain studio. Standard blockbuster hack-and-slash fare then?
He’s actually authored a book on the historical Christ in the intervening years, and even a piece of pop art like Robocop is full of allusions to faith and the way systems compromise Christ’s doctrine. ShopDisney's Marvel Mania: Score These Spider-Man Must-Haves Now! One nice thing about reading this script is it’s very visual, and when you add in factors like Arnold, Verhoeven, Wild Bunch, and $100 million dollar budget, the general tone and tenor comes through loud and clear. No one is asking for a modern day mounting of this story, it was written for Arnold in his prime and that is where it must stay. Schwarzenegger was also in the midst of his muscular prime in the early ’90s, possessing more than enough charisma to play Hagen. This content is published for the entertainment of our users only. Goldman says in the book, “It was an anti-war statement, basically saying that the Christians had no business going there.”. The story of the Crusades is the murderous attack of the Christians on the Arabs and the Jews. What kind of guarantees do you have that we will get it for 100 and it won't go up to 130?
are registered trademarks / copyright their respective rights holders. In the end, Hagen finds himself at the Dome of the Rock, helping the monk Theodosius carry the true cross away from Jerusalem and into hiding, which fulfills the dream prophecy from the beginning, even though we know it was a total con. Religious figures are presented as outright villains in some cases, but even the more noble ones are blinkered old men, blinded by propaganda and largely ignorant of the horror show that’s been unleashed, or at least, ignorant until it becomes too late. The script is a perfect version of this, in a sense, delivering more or less exactly what that promises, warts and all. So, how much did we miss out on here?
Rumours abounded that Arnie was still trying to get the project off the ground towards the end of the ’90s whilst an unchangeable Verhoeven suggests that he would need at least $200million if he were to attempt the picture today. We meet our Arnold protagonist, Hagen, who is breaking into an Abbey to steal gold!
Crusade is not a film aimed at women, not remotely, which is probably OK, given that it’s a hyper-violent medieval epic/star vehicle for Arnie. Additionally, those of us converted into the Church of Arnold by T2 were discovering the grisly appeal of his back catalogue, real ass-kickers like Predator, Commando and the original Terminator. The ending of the script very much tries to have its cake and eat it too, when it comes to God, but the long and the short is that in Crusade, the Crusades are presented as a bad thing, and it’s not a whole lot more complicated than that. Hagen has a long action sequence cutting down attackers with a scythe, every devout old man dies a sad death they don’t understand, and anyone who looked cross-eyed at Arnold at some point goes down hard. Paul Verhoeven: ‘Hollywood thinks audiences are stupid’ The outspoken Dutch filmmaker discusses his triumphant return to cinema, Elle.
It is here that Hagen also meets Leila (Jennifer Conelly), an alluring Saracen princess whom he tries to save from an uncertain fate as the city teeters on the brink of bloody devastation. I'm talking Paul Verhoeven, or John Carpenter.
With little confidence that Verhoeven could prevent Crusade’s costs bloating to beyond $100 million, Carolco opted to fund the prospectively cheaper Renny Harlin-helmed Cutthroat Island. – The Rise of the Geri-Action Star, Stories From The Set: Requiem for a Dream, Second Chance: Darren Aronofsky’s Noah (2014). The director and star discussed a screenplay about the Crusades that Schwarzenegger had read. Intended to be Arnold’s follow up to Last Action Hero, that film’s underperformance (and other massive internal problems) caused Carolco Studios to get squeamish about the $100 million price tag for this ultra-violent, nihilistic religious critique. I could tell you, but as a working screenwriter you’d have to pay me for my “take”.
But for the Arnold nerds, Crusade took on a bit of a mythic quality. One thing that Crusade has over them all is the utter lack of pretension.
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