Hell, let’s get into it. Well, not nobody. Or maybe you don’t use paper at all—maybe you’re taking a walk after dinner and a few beers, like A. E. Housman, and you’re writing it in your head, to the four-beat rhythm of your footsteps: “White in the moon the long road lies.”. Would I like to go? If you recite, your listeners will look down and play with their cuticles. Make this simple corn chowder for dinner even on weeknights. Alice Quinn. And she didn’t want to be arguing over money. Maybe it’s time. Most of us have a short period of intense thinking about poetry, when we take a class in college, and then that’s about it.
I love those places. Subjects Discussed: Attempting to talk in the early hours of the morning, the many beginnings offered by poems vs. the many beginnings offered by the Internet, digital enjambment, tobacco dip videos, Paul Chowder’s songwriting, Baker’s protest songs, Method writing, the development of song lyrics over the last few decades, Dance Music Manual, when dance songs go on too long, Lopoerman, loops, buying a shotgun mic from B&H, phones that beep during conversations, being a proponent of the kick drum, the theology of percussion, how fiction and music composition create different principles in drawing from other work, Medea Benjamin, Glenn Greenwald, the importance of sticking it out, Paul Chowder’s politics vs. Jay’s politics in Checkpoint, Edward Snowden, the difficulty of writing controversial books, when world leader surnames become too incantatory, attending political protests, political recoil, a highly attuned relationship to language and its effect upon political commitment, language as overused wooden blocks, songs as a way of taking back familiar words, Obama’s kill list, synesthesia, stretching out a word to melodic effect, Marvin Gaye’s “Sexual Healing,” Tracy Chapman’s “Change,” how repetition causes you to look at a word in a different way, Paul Chowder’s “The Right of the People,” the discomforting sight of protesters who are pepper sprayed, peaceful assembly, singing the Bill of Rights, cultural appropriation, Robin Thicke’s “Blurred Lines” and Marvin Gaye’s “Got to Give It Up,” Thicke’s injunction against Gaye’s family, Ray Parker’s “Ghostbusters” and Huey Lewis’s “I Want a New Drug,” the scant chords and melodies available in pop music, the swift creation of “Blurred Lines,” George Harrison’s “My Sweet Lord” and the Chiffons’ “He’s So Fine,” Baker’s views on the movie music business, why Hans Zimmer is a hack, Baker’s appreciation for Paul Oakenfold and trance, the bassoon, how Harry Gregson-Williams ripped off John Powell’s score for The Bourne Identity, Carol King, efforts to duplicate songs in the 1970s, “Narrow Ruled,” putting a dot on a margin to note a passage vs. favoriting a tweet, filling notebooks with quotes from other books, analog vs. digital forms of “signing someone else’s mind signature,” anthologists who hunted for Shakespearean gems, Logan Pearsall Smith, the downside of typing too fast, forgetting handwriting, the foreign nature of writing a thank you note in the digital age, the importance of exertion, articles about the end of handwriting, handwriting vs. keyboards, how reading things aloud slows time down, Baker’s recent Harper’s essay arguing against Algebra II, the socioeconomic impact of abolishing Algebra II, Jose Vilson’s response to Baker’s article, knowledge vs. the way teachers express knowledge, Algebra II as a requirement that increases human suffering, turning core subjects into electives, educational budget cuts, compulsory education, negative high school experiences, fallacious approaches to teaching the essay, E.B.
All my theories about the importance of stereo sound versus mono sound I just dumped into the book. I’m a study in failure. My career is a joke. Blurred, smeared, but sharp. Not Anne Boleyn. It was going to happen. Hardy, Auden, Bishop, Marvin Bell, Ted Hughes, John Hollander, Nicholas Christopher, Deborah Garrison, whoever, James Wright, Selima Hill, Troy Jollimore. And I said, Ed? Roz, the woman who lived with me in this house for eight years, has moved away. Submit changes (incorrect DOB, missing stats, incorrect stats, social media links etc) using a web form and we will review your update request within 24 hours and update accordingly. Maybe two. When the birdie landed at someone’s feet, he was there to leap on it and take it gently in his mouth like a downed partridge. It turns out that helping is the main thing. And he said, Mm-hm. To have a moment to regroup and understand? In fact it was better than if it had been right. And rejected some of them—damn her! You’re always looking at the same piece of paper. Finally came Derek Attridge, a man with a sensitive ear who taught at Rutgers. Serve with lots of crusty bread to soak up the last dredges in the bowl. Glad you’re on the case now at The New Yorker. I had it with coleslaw. Paul Chowder? Walking behind this armful of noise, going around, turning the corner I’d already turned, circumventing the overturned canoe. Somewhere along the way, so the Romantic poets felt, the humanness and the singingness and the amblingness of lyric poetry became entangled in frippery and parasols, and that’s because we stopped hearing those four basic pacing beats. I put in a load—the tablecloth, a pair of pants, a shirt, a towel, and two T-shirts, saving the underwear for another time—but by the time the load was done spinning the day was done, as Longfellow would say, and it was raining and the clothesline was swinging in the wind, so I couldn’t hang anything up on it. Fenton’s introduction is only twelve pages long, and it feels like the perfect length.
Gene has sent me the cover art. It’s coming along. He teaches at Princeton. I should use it myself, instead of the dryer, which is making a thumping noise anyway, and then if she drove by she’d see that I was being a responsible person who dried my clothes in the sun. The names. So you cut it. No, this is going to be an anthology where every poem you alight on and read, you say to yourself, Holy God dang, that is good. But I actually wanted to ask you. I want to do that. Thank you, Alice! Archibald MacLeish won three Pulitzer Prizes, which is at least two too many. It was a beautiful week in very early summer, and I felt as if I was sitting inside John Dowland’s old lute. Hear that? A very heavy textbook. Maybe not. And no poem on page eighty-three. It’s unstoppable, it’s uncorkable. Tim split up with his wife several years ago, and he took up eating.
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