The smooth transitions in his staging are on point and keep the audience engaged from start to finish. You need to see this show this season. Cherry plays him with just the correct amount of charm and childish naiveté that makes you just want to hug him and protect him. The chemistry is fantastic and they work well with and off of each other. Max is a proud member of The Actor’s Center. Featuring panelist Dr. Miriam Isaacs, Educator and United States Holocaust Memorial Museum Fellow. He holds a doctorate in performance studies from Northwestern University and a B.A. Scenic Designer, Linda Roethke Brick, racked with guilt over his best friend’s death, numbs his pain with drink. Regionally, her credits include Twelfth Night, The Book of Will, Kate Hamill’s Pride and Prejudice (Hudson Valley Shakespeare Festival), Love’s Labour’s Lost (The Acting Company/HVSF), and Clybourne Park and Pinkalicious: The Musical (The Hangar Theatre). He is also an adjunct professor at the UCLA School of Theater, Film and Television. Two of the folks we see most are Susan Lynskey as The Middle/Halina and Emily Shackelford as The Ingenue/Chana. Please email access@centerstage.org if you have any questions. Recipients of Awards and Honors in Non-Competitive Categories: Running in tandem with Magaw’s design is a terrific Lighting Design by Josh Epstein that blends nicely with the production as a whole and precisely sets the mood for each scene with an overall dim look with appropriate splashes of light and emphasis. Another familiar face throughout the production is Max Wolkowitz as The Ingenue/Avram. Regional—The Kennedy Center, Westport Country Playhouse, Lake Theatre, Adirondack Theatre Festival, The Philadelphia Orchestra, Media Theatre, Human Race Theatre Company, Pennsylvania Shakespeare Festival, People’s Light & Theatre Company. Jake Walker as “The Middle,” the actor of the troupe who plays the characters who no spring chickens but not young, bright eyed and bushy-tailed gives a great showing in this. It’s impressive because of the various roles these two are playing but yet, the chemistry between them is consistent and absolute in the scenes that call for it.
Best Direction of a Play Thank you to Bruce Bierman for sharing his Jewish Dance expertise.
Best Featured Actor in a Play Baltimore Center Stage: Clybourne Park, Beneatha’s Place. Heisenberg – 1 Matthew Warchus, Groundhog Day height:1px; Her play Indecent opened at The Cort Theatre in New York in April 2017.
Instagram: @emilyareti. It also reminds us that, though we may generally agree, as a society, what is indecent… in the end, it is in the eye of the beholder. Presented by Baltimore Center Stage. Christopher Ashley, Come From Away Maryn can be seen in the upcoming season of Netflix’s Friends from College. by Tennessee Williams
He has appeared regionally in The Chosen (Long Wharf), Assisted Loving (Capital Rep), My Name is Asher Lev (Penguin Rep), Ivanov (Trinity Rep), and the first TheatreWorks tour of The Velveteen Rabbit. Michael Greif, Dear Evan Hansen Ruben Santiago-Hudson, Jitney For tickets, call the box office at 410-332-0033 or you can purchase them online .
Best Orchestrations Catherine Zuber, War Paint Baltimore Center Stage: As You Like It, Twelfth Night, …Edgar Allan Poe.
Directing—The Kennedy Center: Barbara Hammond’s Enter the Roar; Visible Impact (devised in ASL and English). What is the cost when we sacrifice truth for success? Tour—Mary Poppins.
Sally Field, The Glass Menagerie Andy Karl, Groundhog Day Choreographer, Jack Magaw
Best Revival of a Musical Falsettos – 5 Broadway—Indecent, Fiddler on the Roof. Regional—Kansas City Rep, Arena Stage: Indecent; Arena Stage: Kleptocracy, Sovereignty, The Price and Smart People; Studio Theatre: Hand to God (Helen Hayes Award), Vietgone, The Remains; Signature Theatre: The Gulf (world premiere), Heisenberg; Olney Theatre Center: Labour of Love, The Invisible Hand, My Fair Lady; Round House: The Legend of Georgia McBride, Angels in America Part 1 and 2; 1st Stage: When the Rain Stops Falling (Helen Hayes Award). A Wonder in My Soul
HEARTFELT HILARITY BRIDGING GENERATIONS Using set pieces to present different locales instead of changing the space makes for smooth transitions and doesn’t interfere with the action and staging of the production.
Indecent will play through March 31 at Baltimore Center Stage, 700 North Calvert Street, Baltimore, MD. www.susanrome.com, EMILY SHACKELFORD (The Ingenue: Chana / Ensemble) is making her Arena Stage debut. International—Seiji Ozawa’s Matsumoto Festival and Hyogo Performing Arts Center in Japan. Come From Away – 7 The dialogue is natural and wel thought-out and, even for someone who doesn’t have a Jewish or Yiddish background can appreciate the story itself and relate to the characters within that story. I’ve got to start by stating this is just a beautiful piece of theatre, all around. We offer First Chair ASL Interpreted performance for each of our Mainstage plays. In real life, some Jewish newspapers at the time criticized the play when it moved from a Yiddish theater to Broadway, saying it was a mistake for Jews to show a less-than-pious side to a gentile audience. The chemistry is fantastic and they work well with and off of each other.
But just what family is it? Lynskey has a great command of the stage and completely embodies her character. Baltimore Center Stage: debut. Film—An American Artist (George Caleb Bingham). A Doll’s House, Part 2 by Lucas Hnath But when three generations come together to celebrate a birthday—and discuss a will—all of the players start to the crack under the pressure and the heat. Like Backstage Baltimore on Facebook and Follow us on Twitter and Instagram!
Toni-Leslie James, Jitney Movie appearances include Dr. Doolittle 2, Minority Report, and The Pursuit of Happyness. Click on the links for more info on the shows! This is Erika’s Baltimore Center Stage debut. But the script is hampered by Vogel’s choice of making “Vengeance” the focus, instead of the complex human beings who wrote, performed and responded to that particular work of controversial art. Barlett Sher, Oslo The authenticity in his portrayal makes it an impeccable performance. Looking more like the backstage of a theatre, which it should, it complements the story beautifully. In this enduring American classic, family ties and layers of lies collide over the course of one simmering Southern summer night. .spiffy5a{ With 10 actors in the cast and most playing multiple roles, there’s little opportunity for the audience to connect with any particular character.
War Paint – 4
Director, Alexander Sovronsky* Upcoming projects include the world premiere of Approval Junkie (Alliance Theatre) and The Scarlet Ibis (Chicago Opera Theatre). She captures the time settings and is consistent as the setting moves forward in time. Kudos and commendations to these fine musicians and their efforts.
Susan contributes nationally to the development of new plays. A SULTRY AMERICAN CLASSIC Peter Darling and Ellen Kane, Groundhog Day Off-Broadway—Theater for a New Audience: The Skin of Our Teeth. 410-332-0033. JPMorgan Chase & Co. is the major sponsor of Unmasked: The Music of Andrew Lloyd Webber. Set Design by Jack Magaw is splendid and he uses his space wisely. A definite highlight of this production is Ben Cherry as Lemml, or “Lou”, the Stage Manager of this troupe of actors. Rosen helped develop and produced the original production of the Pulitzer and Tony Award-winning play I Am My Own Wife. It’s interesting that what is looked on as no big deal today could throw a crowd of people into a rage a century ago. Baltimore Center Stage, in a partnership with Arena Stage of Washington, D.C. and Kansas City Repertory Theater, brings its usual stellar production values to “Indecent.” The set design is lovely, managing to be both simple and clever, using small tweaks to create entirely different scenes. Best Featured Actress in a Musical Mary Beth Peil, Anastasia Steven Levenson, Dear Evan Hansen The world premiere of Christina Anderson’s How to Catch Creation will close out the 2018/19 Season. Cherry, from the beginning, makes this charming, simple character loveable. The Price – 1 Rosen’s casting is spot on and he should be applauded for his efforts in this production. Michael Yeargan, Oslo
You can’t help but get a warm feeling when he speaks and the way he plays this character makes you think he is just the nice guy next door.
This one-night-only presentation of this revered classic features notable personalities with Baltimore ties in the classic roles of the Bayard Family during their 100-year-long Christmas dinner. It also reminds us that, though we may generally agree, as a society, what is indecent… in the end, it is in the eye of the beholder. You can see her work in Smithsonian National Portrait Gallery programs, Ice Cold Killers for Investigation Discovery, the Military Channel’s Great Planes, MD Public Television and the U.S. Army’s tour Spirit of America. Learn more. margin-right:1px;
He portrays his roles confidently, especially the character of Mendel, who is cynical of this new play and its content. TV credits include House of Cards, NYPD Blue and four seasons as DA Ilene Nathan on The Wire.
In a Baltimore beauty shop, two longtime co-owners and best friends grapple with a major decision. Co-artistic director of Washington Women in Theatre (Women’s Voices Festival). Ask them your questions and get some autographs! She teaches playwriting workshops throughout the United States and abroad. Education: MFA -Virginia Commonwealth University, BFA Texas State University. Hello, Dolly! Co-production with Kansas City Repertory and Baltimore Center Stage. Susan holds degrees from the University of Iowa (MFA), McGill University (BA Honours) and The National Theatre School of Canada.
Tony Honors for Excellence in the Theatre Required fields are marked *. She portrays her characters with a certain gracefulness one would expect an experienced actor to have and she transitions through her various characters seamlessly. Regional—design credits include Chicago Opera Theatre: The Scarlet Ibis, Arena Stage: Indecent; Goodman Theatre: Support Group for Men (world premiere); Geva Theatre: The Agitators, Other Than Honorable (both world premieres); Alliance Theatre: Sheltered (world premiere); American Players Theatre: A Flea in Her Ear; Steppenwolf Theatre: The Flick; Writers’ Theatre: Buried Child, East Texas Hot Links; Peninsula Players Theatre: The Bridges of Madison County, Miss Holmes; Court Theatre: Radio Golf, Long Day’s Journey into Night; Milwaukee Repertory Theatre: Man of La Mancha, The Mousetrap; Kansas City Rep: Of Mice and Men, Sweeney Todd. Ben Cherry* .spiffy3a{ Rebecca Taichman, Indecent What is the cost when we sacrifice truth for success? Special Tony Award for Lifetime Achievement in the Theatre A young Classics professor puts her career-and her love life-in peril, and calls on the gods of Ancient Greece to save her. Email us at backstagebaltimore@gmail.com.
MAX WOLKOWITZ (The Ingenue:Avram / Ensemble) is thrilled to be making his Arena Stage debut. Jane Cox, Jitney Anonymous support for Indecent has been provided by a life-long Washingtonian and friend of Arena Stage. Dear Evan Hansen – 9 SUSAN ROME (The Elder: Vera / Ensemble) returns to Arena Stage after appearing in The Great Society and All the Way. Denis Arndt, Heisenberg Nigel Hook, The Play That Goes Wrong Santo Loquasto, Hello, Dolly! Like Backstage Baltimore on Facebook and Follow us on Twitter and Instagram!
Regional—Kansas City Rep, Arena Stage: Indecent; Arena Stage: Smart People, Equivocation, The Passion Play Trilogy, Legacy of Light, 33 Variations, Smart People, Metamorphoses, Arabian Nights; Goodman; Steppenwolf; Chicago Shakespeare; Lookingglass Theatre (where he is an associate artist); Oregon and California Shakespeare Festivals; The Guthrie Theatre; McCarter Theater; Berkeley Repertory Theater; American Conservatory Theater; Seattle Repertory; La Jolla Playhouse; Center Theater Group.
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